「摹状」的拼音、意思和解释
摹状是一个开头的词语,它的拼音是mó zhuàng,这篇文章为您提供了摹状拼音,读音,怎么拼读,同时为了让您在线轻松学习摹状,我们收录了汉语辞典中摹状的意义和释义,近义词,反义词,摹状的五笔怎么打。
在线字典为您在线查询摹状的词典内容如下,包括摹状的拼音,读音,拼读;摹状的意思和详细释义,摹状的近反义词,摹状的英语翻译,用摹状这个词语怎么造句等内容。
摹状读音/繁体/五笔/英文翻译
拼音 | mó zhuàng | 读音 | 跟我读 |
---|---|---|---|
繁体 | 摹壯 | 类型 | 词语大全 |
五笔 | 此词无五笔连打 | 平音 | mozhuang |
词性 | 中性 | 语法 | |
拼读 | 摸(mo1)窝(wo2),摹(mo2)|知(zhi1)乌(wu1)盎(ang4),状(zhuang4) | ||
英语翻译 | n.description |
摹状是什么意思?
· 基本释义
描摹。
· 详细释义
描写;描绘。
清 平步青 《霞外攟屑·论文上·积素斋文》:“先生之文,奏议体质而词核,论辨格歛而气舒,记叙工於取致,碑志深於言情,而於忠烈贞孝之事,尤极意摹状。”
· 网络释义
【释义】描写,描绘,照事物原样描摹。【出处】清·平步青《霞外攟屑·论文上·积素斋文》:“先生之文,奏议体质而词核,论辨格歛而气舒,记叙工於取致,碑志深於言情,而於忠烈贞孝之事,尤极意摹状。”
摹状的近反义词?
摹状近义词:抱歉,查无摹状的近义词
摹状反义词:抱歉,查无摹状的反义词
摹状词语接龙
(~摹状~)在开头的接龙:状态,状元,状况,状语,状纸,状子,状告,状貌,状结,状招,状匿,状字,状呈,状故,状迹,状词,状容,状牒,状候,状样
(~摹状~)在结尾的接龙:告状,形状,奖状,现状,症状,诉状,性状,罪状,名状,病状,情状,摹状,供状,万状,保状,原状,惨状,无状,丑状,切状
暂时无法为您进行摹状的词语顺序接龙!
用摹状怎么造句?
您好,暂未查询到摹状造句的内容。
与摹状词及专名研究相比,指示语研究显得相对薄弱和滞后。
However, the research of deictic words has fallen behind the research of proper names and definite descriptions.
罗素的摹状词理论自提出以来,一直具有广泛而深刻的影响。
The Theory of Description has had extensive and profound influence since it was first proposed by Russell.
摹状词理论与历史因果理论是专名意义问题上的两种对立的理论。
The theory of description and the theory of historical causality are opposite to each other on the problem of the meaning of proper names.
指示语、摹状词和专名都是具体指称手段,但却属于不同的语义类型。
There are three distinct kinds of singular definite referring expressions: proper names, definite descriptions and deictic words.
限定摹状词的指称性使用和归属性使用的区分奠定了新指称理论的基础。
The distinction between the referential use and attributive uses of definite descriptions lays the foundation for the new theory of reference.
在名称问题上,名称的摹状词理论与因果历史理论之间的争议由来已久。
There has been a dispute between descriptivist theories of name and causal-History Theory of Name for a long time.
“摹状词论”认为,语言表达式的指称是由描述或反映其意义的摹状词确定的。
"The description theory" argues that linguistic expression's reference is fixed by the description, which describe or reflect its meaning.
罗素的摹状词理论自提出以来,对逻辑学、语言学和哲学都产生了广泛而深刻的影响。
Russell's Theory of Description has had a widespread and profound influence to logic and language and philosophy since it was first proposed by Russell.
克里普克为了批判弗雷格和罗素的名称摹状词理论提出了三类论证,即模态论证、认识论的论证和语义的论证。
For the sake of criticizing Frege and Russell's theory of description of names, Kripke gave three kinds of demonstration, namely model arguments, epistemological arguments and semantic arguments.
斯氏区别了意义与指称以及语词本身与语词的使用,认为无论摹状词还是逻辑专名都应该在语境中赋予指称的确定性。
Strawson distinguishes meaning from reference, words from their use, believing both descriptions and logic proper nouns should have a definite referring in context.
第二部分:详细分析了两种主要的关于名称的指称理论:以罗素为代表的摹状词理论和以克里·普克的历史因果的指称理论。
The second part analyzes two important reference theory concerning name: Description theory represented by Russell and Historical Casual theory of reference represented by Kripke.
本文围绕摹状喻词和比况助词的选择、复句形式的内部结构和外部功能等几个方面,对由复句形式构成比况结构这一现象进行探讨。
The paper conducts a research on this phenomenon in terms of the choice of imitating and comparative words, the internal structure and the external function of the complex sentences.
第二部分:摹状词理论的源起,主要介绍此理论诞生的理论背景、有哪些重要哲学家对其产生了启发性的影响及它希望解决什么问题;
Second part:descriptions academic's origin, mostly introduce this theory's natal academic background, some signify philosophers producing enlighten infection and which problem they want to solve;
一些人认为,唐纳兰关于限定摹状词的两种用法,即归属性用法和指称性用法的观点在一定程度上能够避免克里普克的语义的论证和模态论证。
Some people claim that, to some extent, Kripke's semantic arguments and model arguments can be avoided based on Donnellan's viewpoints on the referential and attributive use of definite descriptions.
“帕格索斯”也可进行类似的处理,如果我们将它视为“柏勒洛丰捕获的那匹有翼的马”这个摹状词的缩写的话。以上处理也适用于所有的专名。
'Pegasus' can be handled similarly if we read it as short for a description:' the winged horse captured by Bellerophon '. So for all proper names.
理查森以其抒情的笔触摹状了痴迷于爱情的心灵所感受到的每一次隐秘的震颤,《莫里斯·格斯特》也由此而得以跻身于《包法利夫人》、《安娜·卡列尼娜》之列。
Maurice Guest joins Madame Bovary and Anna Karenina, as the lyrical sweep of Richardson's prose reveals every intimate tremor felt by a human heart obsessed with the love of another. Carmen Callil
理查森以其抒情的笔触摹状了痴迷于爱情的心灵所感受到的每一次隐秘的震颤,《莫里斯·格斯特》也由此而得以跻身于《包法利夫人》、《安娜·卡列尼娜》之列。
Maurice Guest joins Madame Bovary and Anna Karenina, as the lyrical sweep of Richardson's prose reveals every intimate tremor felt by a human heart obsessed with the love of another. Carmen Callil
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