默伽是一个开头的词语，它的拼音是mò jiā，这篇文章为您提供了默伽拼音，读音，怎么拼读，同时为了让您在线轻松学习默伽，我们收录了汉语辞典中默伽的意义和释义，近义词，反义词，默伽的五笔怎么打。

在线字典为您在线查询默伽的词典内容如下，包括默伽的拼音，读音，拼读；默伽的意思和详细释义，默伽的近反义词，默伽的英语翻译，用默伽这个词语怎么造句等内容。

默伽读音/繁体/五笔/英文翻译

默伽是什么意思？

· 基本释义

地名。今译 麦加。在 沙特阿拉伯王国 境内。为伊斯兰教主要圣地。

· 详细释义

地名。今译 麦加 。在 沙特阿拉伯王国 境内。为伊斯兰教主要圣地。

宋 周去非 《岭外代答·外国下·航海外夷》：“若夫 默伽国 、 勿斯里 等国，其远也不知其几万里矣。”《明史·西域传四·天方》：“ 天方 ，古 筠冲 地，一名 天堂 ，又曰 默伽 。”

默伽的近反义词？

默伽近义词：抱歉，查无默伽的近义词

默伽反义词：抱歉，查无默伽的反义词

默伽词语接龙

（~默伽~）在开头的接龙：伽耶，伽伽，伽梨，伽那，伽子，伽荼，伽陀，伽他，伽尼，伽楠，伽持，伽南香，伽倻琴，伽里略，伽陀罗，伽楠珠，伽字门，伽马刀，伽马射线，伽马函数

（~默伽~）在结尾的接龙：瑜伽，楞伽，默伽，隈伽，阿伽，伽伽，落伽，频伽，颇眩伽，迦陵频伽，摩睺罗伽，中国僧伽，摩侯罗伽，迦陵毗伽，万千瑜伽，钵罗耶伽

暂时无法为您进行默伽的词语顺序接龙!

用默伽怎么造句？

您好，暂未查询到默伽造句的内容。

请记住，并不是这样，伽达默尔认为。

This is not the case, said Gadamer, remember.

对于伽达默尔来说古典主义，或者传统，最伟大之处是这是我们可以分享的。

The great thing about classicism for Gadamer, or what he calls "tradition," is that it's something we can share.

无论如何，大家可以在722页上看到，伽达默尔描述了我么阅读的循环，他描述这种循环的方式可能会引起我们的关注。

Anyway, you can see that in this passage on page 722, Gadamer is describing the circularity of our reading, and he's describing it in a way that may raise certain concerns for us.

这就是历史化的目标，在这节课快结束的时候我们会了解到，能和伽达默尔的解释学并置,它是受人尊敬的。

This then is the object of historicizing and, as we'll see at the end of the lecture, there's a certain nobility about it to be juxtaposed with the nobility of Gadamerian hermeneutics.

伽达默尔认为历史主义忘记了，我们会从过去性和他性中学到一些东西的可能性。

Gadamer believes that historicism forgets the possibility of being taught something by past-ness or otherness.

现在我们再回头来想想伽达默尔。

Now notice here that we're back with Gadamer.

但是对伽达默尔和他的传统，这有些不同。

But f or Gadamer and his tradition, it's a little different.

伽达默尔对它略有歉意，并且他借助了一下语源学。

Gadamer is a bit apologetic about it, and he goes into the appropriate etymologies.

同时，伽达默尔反对历史主义因为他说，人们做不到。

In the meantime, Gadamer is objecting to this because he says, you simply can't do this.

我会再讲一遍，现在说可能有点早，伽达默尔认为历史主义有些不道德。

I'll say again, somewhat in advance perhaps of the time I should say it, that Gadamer thinks that there's something immoral about historicism.

现在我们要看的第一篇文章是伽达默尔写的，在第735页最下面，一直到736页。

Now the first passage is in Gadamer's text on page 735, the very bottom of the page, and then I'll be going over to page 736.

这就是伽达默尔在说“存在“时的所指

That's what Gadamer means when he says "what is there."

文章通过探究《真理与方法》的写作体例与表述方式、伽达默尔同海德格尔的关系，阐明造成这种“理解”倾向的原因。

The article clarifies the reasons for such an opinion by analysing the writing style and manner of "Truth and Method", the relation between Gadamer and Heidegger.

对于伽达默尔来说古典主义，或者传统，最伟大之处是这是我们可以分享的。

Thee great thing about classicism for Gadamer, or what he calls "tradition," is that it's something we can share.

基于这五种游戏理论的艺术游戏论或艺术与游戏的关系论的代表人物分别是康德、席勒、弗洛伊德、伽达默尔和胡伊青加。

Representative figures in artistic play theories or theories on relationship between art and play based on the five above-mentioned play theories are Kant, Schiller, Freud, Gadamer and Huizinga.

伽达默尔认为，客观性这个概念中隐含着，放弃了从对象中学习，从相异性中学习的可能。

Implicit, according to Gadamer, in the notion of objectivity is an abandonment of the possibility of learning from the object, of learning from otherness.

伽达默尔是以“审美无区别”来反对康德的“审美区别”，来拉近艺术和真理的界限，把艺术整体与完整存在全然联系起来。

Gadamer is "no distinction between the aesthetic," to oppose Kant's "aesthetic distinction" to narrow the boundaries of art and truth, and integrity of the arts as a whole there is completely linked.

本文借助伽达默尔“理解的历史性”原则，重新审视翻译中的误读现象。

In the light of Gadamer's principle of "historical interpretation", this paper reconsiders phenomenon of misunderstanding in translation.

第二章的主要内容是赫施对伽达默尔的批判。

The second part discusses a scholar criticized Gadamer's theory.

伽达默尔的解释理论既是对海德格尔的观点忠实继承又是创造性地发挥。

Gadamer's hermeneutics theory was faithful inheritance and creative development of Heidegger's views.

伽达默尔对海德格尔的艺术真理学说进行解释学的重构，通过审美意识批判提出理解的真理，并以之作为艺术理论的立足点。

Gadamer reconstructed the theory of art truth by Hermeneutics and stated the truth of art that was regarded as standpoint of art theory through criticism of aesthetic consciousness.

文章主要从伽达默尔哲学解释学的角度，论述了译者主体性作用在翻译过程中的体现和强弱。

The paper tries to expound, from the perspective of Gadamer s philosophical hermeneutics, the translators subjectivity and its realization and degree in the process of translating.

论文从历史、重构、意义三个方面进一步讨论伽达默尔的游戏概念。

Discusses the play concept by Gadamer from the aspects of history, reconstruction and significance.

这其实才是伽达默尔美学思想的核心。

It is the real kernel of Gadamer's aesthetics ideas.

在对语言的讨论中，伽达默尔强调语言的“对话性”，把平等进行的对话看作是揭示语言功能的条件。

In his discussion on language, Gadamer emphasizes the dialogical nature of language, and considers "dialogue" carried out equally as the condition to reveal linguistic function.

伽达默尔认为，精神科学与自然科学有本质区别，关注的是精神的基本运动，关注它对人们精神世界的影响。

Gadamer deems human science pays attention to the fundamental move of mind and its affection to the world of human spirit, and this is essentially different from natural science.

伽达默尔认为，精神科学与自然科学有本质区别，关注的是精神的基本运动，关注它对人们精神世界的影响。

Gadamer deems human science pays attention to the fundamental move of mind and its affection to the world of human spirit, and this is essentially different from natural science.

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